nota confusa reading Herói de Mil Faces In most of mythologies, the images of misericordia e bless are as vivid as those of justice and wrath, keeping therefore the balance. I think: all that is created will be destroyed. so there is not so much a goal with the creation itself (in the long term). […]
Paul Auster about Pinocchio: The superiority of the Collodi original do Disney adaptation lies in its reluctance to make the inner motivations of the story explicit. They remain intact, in a pre-conscious, dream-like form, whereas in Disney these things are expressed–which sentimentalizes them, and therefore trivializes them. in The Invention of Solitude, p. 131 adaptation, […]
works of art that rely on capturing reality in a medium (such as film, photography)
Orozco’s art can be considered experiments with the ‘things’ of everyday life combined with sculptural processes; a cross between workshop and worldview.link
gabriel-orozco-1.jpg (JPEG Image, 550×369 pixels)
i think i can claim that a piece of mine (such as Auto-timer performance) has a cannibalistic approach (or appropriative nature, in other words) in it, if we agree with David Hockney that this piece of Van Eyck relies in collage as much as his own Pearblossom Highway does.
“Some people feel the rain. Others just get wet.” – Bob Dylan
“art for art’s sake” according to Benjamin this is as maleable and stealable as the pure/abstract science. if you don’t make it political, it can be used by someone elese for an atomic bomb.
John Cage : “Wherever we are, what we hear is mostly noise. When we ignore it, it disturbs us. When we listen to it, we ﬁnd it fascinating.”
you are aware of your movement 1/10th of second behind the movement itself. the installation has feedback loop of 1/30th of second (so predicts the future somehow) cowboy experiment: he thought he would predict the movement poeme numerique, baltan laboratories, david rokeby
narrow parameters makes the user experience more ‘interactive’ by being digestible/understandable in a immediate way. X freedom for the visitor to really ‘create’ poeme numerique, baltan laboratories, david rokeby
works of art dealing with surveillance / cameras: contains narcissism X voyeurism X surveillance disturbance poeme numerique, baltan laboratories, david rokeby
leap frog: stick to one tool or set of tools for 3 years. because now there are too much money and resources and these make you keep changing tools and therefore solving technical problems instead of creative ones. stick to tools, create your own libraries and keep using them, as a language or toolbox. tools […]
when computer is in role, u have to place yourself in minimalism X maximalism. complexity is easy to produce with computer. sometimes the solution is in one or another pole. move back and forth between this poles and that is a kind of breathing of the work. poeme numerique, baltan laboratories, david rokeby
poeme numerique, baltan laboratories
when you doesn’t smile after an artistic performance, you deprive the right of the audience to enjoy it. it is the responsibility of the artist to allow people to enjoy the work. avantagarde/edgy work can possibly make people feel they don’t quite understand it. by smiling, you help them. also often the artist doesn’t really […]